—described their approach as “honest.” For Teller, that meant placing models in a factory setting, with piano and the sound of machines whirring as the soundtrack. Vanderperre opted for a black-and-white, more frenetic version of a traditional runway show, with models strutting and criss-crossing through a vacuous white space.
Both of the artists Prada tapped took a slightly more innovative approach. Martine Syms, whose videos often examine Blackness and surveillance, packed models into an empty lecture hall, where they stared at themselves. Fittingly for the collection’s more leisurely, athletic portion,Finally, there was a film of what looked like an actual traditional runway show, taking place in a cavernous concrete room. There was, of course, no front row, but some things never change: Ms.
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