The issue is simple: Women and people of color have faced intense discrimination throughout their filmmaking careers over the past century. Now they are doubly discriminated by how their work is received and remembered by critics, scholars and the industry itself.that has run rampant in Hollywood for decades is perpetuated by our film history.
Let’s not doubly discriminate against them by ignoring their contributions in these individual films. “On the one hand, we denounce the film industry for failing to act, and on the other, we continue to circulate and legitimize the work of abusive men in academic and exhibition spaces, as if they are not all connected. We continue to review their work and to heap praise on it.”
Ultimately, the key here is not to imagine ourselves as “neutral.” As scholars, teachers, writers, industry executives, critics and even film fans, we can actively choose to be part of shifting the balance.When we only prioritize films that are sleek, professional and from only the most experienced directors, we fail to recognize often important pioneering work.
Embracing film with a more open mind enables us to welcome in that which might initially make us uncomfortable. Only then are we able experience the excitement of responding to more original work. We cannot be influenced as filmmakers, writers, scholars and fans by work that we’ve never seen, heard of, or aren’t taught to appreciate.
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