, she gets to relax a little as Shirley, teasing out the odd flashes of warmth and tenderness beneath the author's prickly front. She also has a strong screen partner in Young as Rose, who is awed by Shirley's brilliance and inspired to pursue her own life of the mind.
Although the movie suggests an erotic dimension to the relationship between these two women, what binds Shirley and Rose more than anything is a shared sense of injustice. They both have flagrantly unfaithful husbands — it doesn't take long for Fred to start cheating on Rose — and they both chafe against the supportive housewife role that so many women were expected to play during that era.
Despite Jackson's enormous popularity as a writer, the horror elements in her work meant that she had to endure a lot of genre snobbery as well as gender snobbery. It wasn't until well after her death that more critics came to appreciate her body of work. Like a lot of great genre writers, Jackson consistently used thriller conventions to illuminate the phantasms of the mind and turn her own demons into art.
neonrated “Shirley Jackson consistently used thriller conventions to illuminate the phantasms of the mind and turn her own demons into art.” L.Ron Hubbard turned his demons into a dangerous, abusive. A cult of which Elizabeth Moss is a member. Scientology.
neonrated I loved The Haunting!
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