. But whatever singularity the actress has earned from growing up the daughter of Diana Ross is hard to find inInstead, what director Nisha Ganatra mostly settles for is the softest corners of feel-good dramedy; a screwball fairy tale sung in the key of corny.
Her assistant, Maggie , is the only one who believes Grace might have a stronger second act in her if she can just get back to the studio and rediscover her roots. Coincidentally, Maggie is also an aspiring producer — something she dreams of constantly in between fetching Grace’s dry cleaning and her diuretic juices. Maggie also meets a velvet-voiced dreamboat who could become her first real collaborator, and maybe more, if only he can learn to overcome his own self-doubt.
Together, at least, they have a natural chemistry that feels consistently stronger and more interesting than the story arc; the movie is often at its best when it's just the two of them talking on a puffy Nancy Meyers couch or in a car.
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