, connected on camera in a way that should have propelled each of them into the stratosphere, but the power of that spark never made it onto the cultural radar. As the villain, the film featured a seethingly handsome young actor named“Something Wild” was joyfully offbeat — a screwball Americana rock ‘n’ roll road-comedy-that-turns-into-a-thriller, afilm that treated everybody onscreen like somebody worth caring about. But the movie, released by Orion, made just $8.
Hard as it is to imagine, in 1986 the romantic comedy hadn’t come back yet. It was an ancient vocabulary that needed to be reinvented, which would happen a few years later thanks to Nora Ephron and “Pretty Woman.” But if you want see the rare contempo movie that actually gets much closer to the sparkly-daffy Punch-and-Judy erotic effervescence of “Bringing Up Baby” or “My Man Godfrey,” it’s “Something Wild.
Two years later Demme would direct “Married to the Mob,” the combustible comedy that contained the seeds of “GoodFellas” and “The Sopranos,” and three years after that he’d make “The Silence of the Lambs.” “Something Wild” should have been a happy explosion, but it was like a fireworks display that fizzled before it got a chance to go off. If you see it now, though, it feels ahead of the curve.
This is so weird to me. 'Something Wild' is an obscure movie that barely anyone liked? When it came out, everyone I knew saw it and loved it. I must have been on another planet.
What a brilliant indie director Jonathan Demme was.
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