The comforts of “Terrace House”

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The lurid gratification to which viewers are accustomed on more intense reality shows is rarely offered on “Terrace House”

HUNCHED OVER a long white table, Ruka Nishinoiri cracks eggs into a bowl and methodically stirs them together with flour. After several months of living in an apartment in Tokyo with five others, he has decided that it is time for him to leave their shared residence. Ruka rolls the dough into pasta, blanches and fries broccoli, chops ham and prepares a handsome dish. After serving dinner, Ruka nervously presents a speech in English about what he has learned while living in the house.

The premise of the show, which arrives on Netflix in instalments throughout the year, is simple: three women and three men from different backgrounds or countries, usually all in their 20s, cohabit in a house . They live their regular lives as the cameras roll, working, meeting friends or studying. Slowly, personal dramas unfurl. Someone develops a crush and ponders how to express their affection. Someone else falls for the same person.

 

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