Tigertail Tries to Reinvent the Ballad of the Immigrant Parent

📆 4/16/2020 10:00 PM
📰 Jezebel

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Because the immigrant experience is either rarely or misrepresented on screen, there’s a seemingly unspoken obligation to respond positively to these stories, regardless of quality. The guilt, for me, is born out of a sense of betrayal; as if denigrating a story that’s underrepresented might stifle the ones that are actually worthwhile. Maybe the fact that this feeling even exists in the first place is a sign that the larger goal of diverse depictions is closer to being achieved, and that all immigrant stories need not be held to a dubious metric. Thinking constantly about representation is, frankly, exhausting, and considering every piece of art made by a writer or filmmaker from a minority community through that lens diminishes the work itself.\n

of four years’ time spent whittling down a 250-page script into a spare, quiet, hour-and-a-half drama that is loosely autobiographical, based on Yang’s father’s personal story of immigrating to America and the life and love he left behind in Taiwan.

The sacrifices Pin-Jui makes for a better life are the sort that children of immigrants are supposed to acknowledge and feel with every step they take that is outside of their parent’s limited experience—as if every step is not just a step for ourselves, but for the larger collective, prioritizing family over the individual. Truthfully,is Pin-Jui’s story through and through, and the film would’ve benefitted from tightening its focus.

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