comprising hundreds of radios, each tuned in to a different station. Shaw’s environment spins viewers into a state of unease through intense aural overlaps, but unlikedoes eventually reach fruition. A crescendo brews, then each strand unites in pure, ‘cross-temporal’ sync – a moment of collective catharsis for Shaw’s protagonists, and for us.
Shaw’s fascination with transcendence can be traced to his roots: growing up with Catholicism, playing games to ‘intentionally black out’, excommunicating himself, exploring spiritual hedonism and toying with limits. Since the mid-2000s, his ideas have become more intuitive and propositional.
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