As the coronavirus pandemic wreaks havoc on film release schedules around the globe, displacing many titles from their natural theatrical environment, a few have instead found their spiritual home on the small screen. “,” a lightweight British kids’ fantasy, falls firmly in the latter column. Always intended as a multiplatform release in the U.K.
Wilson’s retelling lifted that premise and those virtues, updating them for a contemporary Britain of blended families and youthful anxieties — added complexities that have largely been watered down in Simon Lewis and Mark Oswin’s strenuously inoffensive adaptation. The result is akin to any xerox of a xerox: The vague shape of Nesbit’s story remains, but the definition and characterful details of her version and Wilson’s alike are mostly blurred.
Predictable quarrels arise, with Smash’s would-be cool attitude and Ros’s gentle geekiness particularly at odds, until the children stumble upon the long-dormant Psammead — looking like the CGI lovechild of E.T. and a particularly moth-eaten Muppet — in a quiet cove. It grants them one wildly fanciful wish a day, with the condition that its benefits only last until sunset.
old baby yoda?
😠😠😠😠
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