music, with synthesizers as pretty and orderly as Zen gardens. “Ridge Walk” and “Sunset,” which appeared on last year’salbum, have the sweeping grandeur and tear-jerking allure of the some of the best synth-fueled Eighties movie scores, while “Hotel” plays like an unabashedly beautiful coda to Herb Alpert’s “Making Love in the Rain.”isn’t just about serenity; Pacific Coliseum tempers all the prettiness with buzzing house cuts like “Cloud Jam.
It’s not easy to make something sound so effortless and balmy. “Usually I tend to work pretty quickly, but the final mix of this track took me probably two years,” Pacific Coliseum explained in an email. “I had a pretty specific visual in my mind for this one: Watching a blue-pink-orange sunset from a beachside cafe, palm trees swaying, [and] trying to capture the feeling you get in the moment where a sunset is at its brightest and most colorful, right before it disappears.
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