neighborhood, there are at least 15 large paintings hung up on the walls, all done in his signature style. They are mostly portraits of people, usually in groups, surrounded by swirling concentric lines and the ephemera of everyday life , rendered in muted greens and browns with a pop of pink or yellow. Their faces convey strong emotions, whether elated, dazed or stressed, and body hair is visible on their arms and legs.
Toor’s work has gained traction over the past few years, with group shows at Galerie Perrotin and solo exhibitions at Nature Morte in New Delhi and Aicon Gallery in New York. But never before have his pieces—which some art critics have compared to a young Vincent van Gogh’s style—been featured in a major institution. Now, Toor is experiencing a massive moment: for the first time, his works will be displayed inside a major American museum.
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