, instead had a March 14 unveiling at a private event in the Texas capital city attended, according to a press release, by “the film’s crew, cast, friends & family, and prominent members of the Austin film community.”, working from a script he co-wrote with Jeff Bay Smith, walks a tricky tightrope here, and occasionally — especially during his movie’s first act — seems perilously close to toppling into absurdity.
It’s not exactly a romantic triangle, but Alice feels sufficiently neglected to keep track in a notebook of how often she and Bret have been intimate in recent weeks. And her not-entirely-quiet resentment kicks up a notch when Bret pointedly reminds Alice that she’s known Harvie two years longer than she’s known her.
Alice’s skittishness tends to make her sympathetic, but it’s not nearly enough to keep her that way. The beautiful thing about Medel’s performance is her ability to convey complex and contradictory emotions, so that we can feel sorry for her without ever doubting she is capable of doing something dreadful. It comes as no surprise whatsoever when Harvie disappears.
Lmao why did I read “The Coronavirus”
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