The song takes on a simple premise: the narrator is struggling in the midst of a tough episode, asking a loved one to help render the world for them. Much like the way Jeff Tweedy sought to sonically manifest his recurring migraines on Wilco’s, Perfume Genius manifests mental darkness on record, its sludge-rock low-end and languid tempo occupied by unfiltered chaos.
Hadreas and Mills, alongside drummer Jim Keltner and Pino Palladino on bass, use a frenetic arrangement with swirling guitars and shimmering synths to represent emptiness. It’s a jarring and moving juxtaposition, the song’s sonic maximalism taking up the space of a depressive episode. “His love, it felt like ribbons/An echo in the canyon,” Hadreas sings over a wall of noise.
“I started writing about when you are in such a dark place that you don’t even remember what goodness is or what anything feels like,” Hadreas said in a statement. “The idea was having someone describe that to you, because you forgot or can’t get to it.”with Hadreas mumbling indecipherably. It’s a haunting come-down after several minutes of the most piercing pop of this young decade.
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