When we last checked in with Paul Masvidal, the singer-songwriter-guitarist had just released the second part of his trilogy,, out today on Masvidalien Records, Masvidal is looking at its arrival — he calls its “affirming and complete” — as the start of a cycle instead of an ending.
Masvidal says that the response from friends and industry peers has been very positive so far, but he’s looking for fans unfamiliar with his body of work. “There’s a certain percentage that get it. Now it’s trying to go beyond, to the people that have no interest in any of my history or past, and appeal to them.”The isochronic tones in the trilogy are part of Masvidal’s daily life. “I have incredible two-hour-long pieces that I have in the background in my ears all the time,” he says.
The first tour date is at St. Luke’s Church in Glasgow on March 6. Masvidal is looking forward to performing. “I feel like I finally just turned a corner where I feel relaxed,” he says. “I’m not thinking any more about words and guitar parts and arrangements, and I’m just able to be in the moment with the material and sing the words. That’s the goal in live performance — to be completely out of any thinking, and be completely swallowed and be a vessel for whatever’s coming through.
… why all these pieces and parts have been coming together and where they all connect,” he continues. “As an artist, you’re just letting the muse guide you and staying in process. Then you can look back and understand what’s happening.”
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