As chequered histories go, the story of Artemis Fowl’s marathon trek to the big screen is not quite up there with that of Terry Gilliam’s famously long-gestating The Man Who Killed Don Quixote, but it is not far removed. First conjured up almost two decades ago under the now largely defunct Miramax studio, it has had to survive the departure of several directors, numerous attempts at a screenplay and the removal of Harvey Weinstein as producer.
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