Sondheim and Lapine’s Pulitzer Prize-winning show follows Georges as he paints his masterpiece,– and also fleshes out some of the fisherwomen, soldiers and other Parisian beings seen relaxing or strolling in the park on the banks of the Seine in that painting.
The best reason to catch this “event,” however, is for the entirely compelling performance of Tess Benger as Dot, a model who is also Georges’s lover. Her best moment, however, comes in the concise second act of the musical – which jumps ahead to 1984 and becomes a satire of art-making in the Reagan era .There, George , an artist who may or may not be the great-grandson of Georges, broods as he dodges donors and critics at the opening of an exhibit of one of his technological sculptures.
I mentioned there are 34 members of the cast – and that is because the cast includes five well-established professionals , a large group of Sheridan College musical-theatre students and a chorus of high-school students.Kiss of the Spider WomanIn this larger-cast show, however, the younger, less experienced actors have to handle a fair bit of dialogue as the figures in Seurat’s painting – and their performances felt, perhaps fittingly, like works in progress.
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