looks like she’s been plucked from a fairy tale. But while her wide-set gaze, preternatural complexion, and refined bone structure already beg for a portrait painting in the Regency Era, the Miami-born, Argentina- and England-raised actress still underwent an onscreen transformation to step into the role of Emma Woodhouse.makeup and hair designer Marese Langan, of working alongside De Wilde to create the 12th version offor the big screen.
The first step in creating the latest iteration of Jane Austen’s flippant antiheroine? A pure towhead dye job. “I asked Anya if she had ever had lighter hair, and she showed Autumn and I a lovely picture from when she was a child,” she says. “Upon seeing that, we all agreed it was the perfect hair color for Emma.
, laced with hydrating tamarind seed extract and color-protective artichoke leaf extract, when possible. Then, there were the telltale hairstyles of the 19th century—characterized by both simplicity and romance—to expound on.Throughout the film, Taylor-Joy’s Emma is seen with a mass of curls tied back into an updo with a soft center part, whisper-light corkscrew wisps grazing her cheekbones to deliberately laissez-faire effect.
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Source: Variety - 🏆 108. / 63 Read more »
Source: Variety - 🏆 108. / 63 Read more »