SAG-AFTRA creates guidelines for film, TV ‘intimacy coordinators’ - Women’s Media Center

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As of January 29, there is finally a code of conduct set in writing for how simulated sex scenes in movies and TV should be conducted.

After ensuring “continued consent throughout the filming of scene,” intimacy coordinators are also meant to be involved in post-production.

You know those simulated sex scenes in movies? They’ve have had some terrible fallout for the actors involved. Saying “yes” to nudity doesn’t mean the scene about to be shot is going to be done professionally or considerately. In Sarah Silverman’s case, she felt the sex simulated by an extra on one movie set was “brutal.” “It hurt to walk for days ...”In Rosie Perez’s experience filming Spike Lee’s “Do the Right Thing,” “the atmosphere wasn’t correct.

At least now, as of January 29, there is a code of conduct set in writing for how simulated sex scenes in movies and TV should be conducted. SAG-AFTRA, the union that represents actors, has released guidelines for the use of “intimacy coordinators”—people who liaise between actors and production when there are sex scenes being filmed; the union describes them as advocates and coaches/choreographers for “hyper-exposed” scenes.

are “designed to protect performers and facilitate exchange and collaboration with the least disruption to the production,” SAG-AFTRA said., the union’s national executive director, toldSAG-AFTRA’s code requires intimacy coordinators to be sensitive to gender and sexual diversity as well as possess a knowledge of “power dynamics,” “on-set culture and understanding of on-set etiquette,” and consent, among other things.

Beyond what happens during performances, the coordinators are instructed to review “nudity riders, scene content, modesty garments and barriers with performers, directors and assistant directors.” After ensuring “continued consent throughout the filming of scene while minimizing interference in production flow,” the coordinators are also meant to be involved in post-production, verifying that “a final cut is consistent with contractual obligations and riders.

 

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