'Gretel & Hansel': Film Review

Oz Perkins' decidedly feminist take on the classic Brothers Grimm fairy tale is so gorgeous in its imagery that you almost wish it were a silent film. Largely faithful to its source material in spirit but stretching out in interesting new directions,may alienate some horror movie fans with its extremely leisurely pacing and emphasis on atmosphere and mood rather than visceral shocks. But while the film certainly demands patience, it provides ample rewards with its lush stylization.

They barely start their journey before running into serious trouble from a malevolent figure. But they're rescued in the nick of time by a kindly Hunter , who, in one of the more audacious conceits of Rob Hayes' screenplay, promptly disappears for the rest of the running time.

Perkins, who seems to be specializing in the horror genre , displays the confidence not to rely on cheap jump scares. He invests the spooky proceedings here with uncommon visual elegance; cinematographer Galo Olivares, who collaborated with Alfonso Cuaron on, delivers one striking image after another, placing an emphasis on shadows and candlelight that Kubrick would have admired.

It deserved more promo

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