, her father is the drummer Simon Kirke, etc. etc.), and a lengthy résumé of her own, she isn’t snobbish or condescending. She speaks to people lovingly, and levels with them. She visibly enjoys making them laugh. Kirke is eloquent and well-read, pedigreed in her speech, but she talks quickly, furiously, as though her ideas and the metaphors she uses to encapsulate them are ones she’s mulled deeply for months, and she can’t get them out fast enough.
She thinks about this a lot, she says, ripping off a piece of pita and dunking it into the dish of labneh, then pressing the bread into her mouth. It grazes a strand of her hair on the way, and leaves a dot of white yogurt. But to combat these feelings on the industry, she plunges herself into the work, hoping that her pursuit of technical excellence will inspire others in some way.
“Lost Girls” premiered at Sundance initially, but will go to Netflix on March 13. It’s interesting, Kirke notes, that spaces historically reserved for independent film are being tapped by mainstream platforms and production companies. Even Taylor Swift—arguably one of the biggest stars in the world—had a documentary produced by Netflix—the world's most powerful subscription streaming service—that premiered at Sundance.
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