, the draped tunic worn by women in Ancient Greece. Here, it was reinterpreted as plissé evening dresses; or tailoring which twisted at the waist, or across the chest, gently following the line of the body. A similiar sense of fluidity was evoked in simple asymmetric column gowns, held at the waist with braided rope, or in the layers of translucent chiffon, revealing delicate lace underwear beneath.
But more than that, it became part of Chiuri’s ongoing dialogue about womanhood itself, her constant untangling of the differences between feminism and feminity; beauty and power. And what better guide than the fearless Chicago? This has been her territory for decades. In fact, she had first dreamt up the idea forover 40 years earlier, but never had the means to make it reality. “They offered this immense workforce and all the resources of Dior,” Chicago said.
Dior Fuck. A feminist what? Artist? Can I be a masculinist artist?
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