Donatella Versace does things her way. Just as the fashion system is backing away from the co-ed show format, she has fiercely decided to put menswear and women’s wear together on the catwalk for her fashion show in February. If we needed proof that she is her own woman dancing to the rhythm of her own tune, here it is. But that’s why we like her, don’t we?
Versace’s m.o. is forcefully unpredictable, aligned with the fierce sense of individuality the label stands for. For pre-fall, for example, she placed at the collection’s core not one of the usual sexy signifiers she favors, but a hyper-feminine red rose motif—a symbol of romance, purity, even of transient fragility. The red rose is apparently her favorite flower. What could be more unexpected? But the leopard can’t lose its spots, and the rose was given the Donatella treatment.
Embracing contrasts is a hallmark of the house and it played out for pre-fall in its emphasis on the diversity of the vast Versace tribe; there were plenty of wearable choices for its myriads of followers. Versace exploded the idea of urban uniforms in full, with elegant tailoring shown in many iterations, suggesting a less street-y, more sophisticated approach. It alternated with more unisex utility accents and a bold take on rock ‘n’ roll black leather.
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