“That contrast reminded me of film noir. It was something you could be completely enthralled by,” says Mirojnick.
“I thought it would be a good idea if we meet Maleficent in a way that felt organic to how we last saw her. Her color palette is ochre and natural siennas and golden,” she says.The idea was for Maleficent not to be in her iconic black, yet: “There’s a softness to her.” “When we meet her, we’re not sure what her story is. She’s icy and rich and grand. She gets what she wants,” Mirojnick says. “Her kingdom is similar to Versailles. It’s vibrant and large.”
With that in mind, Mirojnick spent time researching body painting rituals. She used paint on the fairies and on their costumes as a symbol of unity, of the tribe banding together to go to battle.
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