was going to be for us," says Markus of the 2018 film, which didn't have a script when they were writing. Paul Rudd's Ant-Man ends his sequel stuck in the Quantum Realm, which becomes key inThe duo also had to provide closure to an 11-year storyline for Robert Downey Jr.'s Iron Man. They used a time travel element to allow Tony Stark to finally reconcile with his father. "That was the last piece of unfinished emotional business in Tony's life," says Markus.
"Thanos needed to have his own sensibility because he was driving both of these films," he says. "But if every time a character walks on, they have to have their own music, we knew it would be crippling." In many ways, the one moment that 11 years of storytelling built to was the return of all the heroes who died in, a segment Silvestri and the filmmakers refer to as "the portals," which saw Doctor Strange and his wizard allies bringing the heroes to the battle against Thanos. "These were moments that we really didn't have any thematic material to draw from, so we had to face them anew," says Silvestri.
Though the composer and screenwriters constantly had to refer to other people's work, there was one exception. In a strange twist,, even though that film came out a month before. Markus and McFeely worked with director-screenwriters Anna Boden and Ryan Fleck, who were on the set for the Captain Marvel scenes. "In a weird way," says Markus, "we were playing with their baby before they had their baby.
This story first appeared in a January stand-alone issue of The Hollywood Reporter magazine. To receive the magazine,
wrapped it up totally incomplete. half the universe gone and not one villain fought Thanos. Bad guys have families too. Also no FF4, no X-men. They could have helped in defeating Thanos the first time by stopping star lord from freeing Thanos.
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