How color drove the visual style behind ‘Ford v Ferrari’

For ‘Ford v Ferrari,’ Tracy Letts found much more to work with than the standard bristling authority figure.It was the hardest thing I’ve ever done. The Le Mans track, known as the Circuit de la Sarthe, no longer resembles the 1966 version, so everything from the grandstands to the track itself had to be created from scratch. In our research, we learned racing aficionados know every turn and inch of the iconic track, so we couldn’t fake it.

We needed to represent the race in a very macro way and divided it into four different pieces. The grandstands, VIP boxes, car pits and press boxes were all built at the Agua Dulce Airpark in Santa Clarita, Calif. We collected over 300 photos of Le Mans, and the organization provided us with never-before-seen footage of the 1966 race, which allowed us to detail the set with the period-correct banners, advertisements, posters and signage.

We also took over the Grand Prize of America racetrack in Hutchinson Island [in Georgia] and completely re-dressed it. We used about 3,200 feet of the Road Atlanta in Braselton to recreate a full-scaled version of the Dunlop Bridge. And we found a stretch of Route 46 outside of Statesboro for the Mulsanne Straight and the hairpin turn in the movie.

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