. Here, in no particular order, are 10 moments that are still playing on the movie screen behind my eyes.: Stuntman Cliff Booth is dropping a hitchhiker, Pussycat , at the Spahn Movie Ranch, where he used to work. He wants to say hi to the ranch’s owner, George Spahn , but something here is … off. Hippie girls spill out of the dilapidated buildings and stare at him with dead eyes. Spahn’s house reeks of half-eaten canned food, Velveeta and TV dinners. A rat squeaks in a glue trap.
The takeaway: For those who think sexual harassment is murky, and that #MeToo is a drag, this scene will clarify things. To quote: Car designer Carroll Shelby , fed up with cajoling his boss Henry Ford II , decides to show him what a race car driver does. He stuffs Ford into his prototype, and roars off at throat-constricting speed, swerving, cornering, squealing. Ford, pinned back in his seat, howls in fear. Shelby slams the brakes. A beat of stillness, then: Ford bursts into tears.
The takeaway: The poor don’t want to destroy the rich. They just want to share. You are correct if you imagine that does not work out.: After their encounter with a racist cop turned deadly, Queen and Slim became reluctant folk heroes. But here in this juke joint, they think they’re incognito. For the length of one song, they’re just a woman and a man, dancing. Gradually, they realize everyone in the place knows who they are – and everyone wants to protect them.
GlobeArts There's little wrong with 'bread-&-circuses' per se, but when 'bread-&-circuses' are the main things we're aware about ... Government knows the value of 'bread-&-circuses' in keeping the plebeians distracted ... ... can we prove them wrong? reality society entertainment
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