A helter-skelter ride of a movie, satirical, very witty and showing its director’s immense affection for the B-movie actors, stunt men and hangers on who make up its cast. It’s also a tribute to Sharon Tate . Who would have believed that a film set just as the Sixties in LA turned sour could be so uplifting?The world isn’t scared enough of Scientology, but perhaps it would be if enough people had seen The Master. Paul Thomas Anderson depicts the cult as a trap for bruised masculinity.
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